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There are some sequences that recall the original film, including Wick fighting his way through a dance floor. The cumulative effect is not a shaky cam, exactly, but the feeling that the camera is more of a participant than an observer. In Chapter 2, the action has more urgency, as if to mirror Wick’s heightened sense of desperation.
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The original John Wick had a fluidity, even grace, to its depiction of death: the camera glided through one fight after another, giving us full opportunity to see the depth of Wick’s violent will. Plot points notwithstanding, Stahelski’s command of action is astounding.
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When Stahelski and Reeves get to the next sequel, I would like to see the governing body that adjudicates assassin disputes. D’Antonio avenging his sister is some twisted, unfair form of double jeopardy, and yet no one in John Wick: Chapter 2 bats an eye.
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If the contract implicit in the marker carries such weight, there should be some guarantee that absolves the parties involved from any further business. Ian McShane reprises his role as Winston, the maître d’ of the Manhattan hotel where assassins stay, and he calmly explains that markers – along with the hotel being neutral territory – are sacrosanct in their business. The second and third act hinge upon D’Antonio double-crossing Wick, a development that strikes me as strange and unfair. The mission is a success, but D’Antonio is a double-crosser: he announces a worldwide contract for Wick’s head, so John Wick: Chapter 2 becomes a deadly chase where any stranger could be another potential assassin.īefore I continue with the review, there’s a strange plot point I want to discuss.
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This takes convincing, of course, but soon Wick is in Italy, infiltrating a high-end dance party in the Roman catacombs. The assignment is grim: D’Antonio wants Wick to murder his sister. It seems D’Antonio has a marker, or a kind of debt, that only Wick can fulfill. Wick thinks he’s finally cut all ties to his past life, but then Santino D’Antonio (Riccardo Scamarcio) drops in with a demand. For Wick, a formerly retired assassin who returned to killing with ease, reclaiming the car is a matter of honor – it is a wreck when he finally returns home. When we catch up with John Wick, he is reclaiming his muscle car from the Russian gangster Abram (Peter Stormare). Stahelski, Reeves, and screenwriter Derek Kolstad dive headlong into the action, sacrificing any character resonance along the way. Unsurprisingly, the major departure in Chapter 2 is its lack of restraint. John Wick: Chapter 2 represents the apotheosis of their relationship: now in perfect sync, their sequel to 2014’s John Wick raises the scope and stakes of the violence, while deepening the mythology behind a principled guild of assassins. Now Stahelski must have a strong sense of Reeves’ body language, and how his breadth of movement translates toward an excellent shoot-out, or fight scene. The star/double relationship continued through The Matrix trilogy and Constantine, then they worked again on Man of Tai Chi, Reeves’ directorial debut. And I was just like, ‘I love you guys, but I just can’t do it.Chad Stahelski, the director of John Wick: Chapter 2, made his Hollywood debut as Keanu Reeves’ stunt double in Point Break. “It was about a cruise ship, and I was like … bus not so fast, but then a cruise ship is even slower than a bus. It was just a situation in life where I got the script, and I read the script and I was like ‘agh,’” Reeves said. “I loved working with Jan de Bont and Sanda, of course. But as Reeves explained on Jimmy Kimmel Live!in 2018, his decision boiled down to the script itself. And he chose to make supernatural thriller The Devil’s Advocate instead. Reportedly, the actor didn’t want to commit to another action movie immediately after 1996’s Chain Reaction. At the time, Reeves’ refusal to accept a $12 million paycheck seemed like a poor career choice. Instead, 1997’s Speed 2: Cruise Control replaced him with Jason Patric as a new hero. But it soon became apparent Reeves wasn’t reprising his role. Director Jan de Bont and Bullock were onboard. RELATED: Keanu Reeves’ Biggest Flop Is Getting a Sequel Without Its Original Star The actor didn’t return alongside Sandra Bullock for the 1997 sequelĪfter Speed’s success, it didn’t take long for sequel talks to get started.